Technique Tuesday

Vitruvian Man
Vitruvian Man

Well I was planning a post on drawing the human figure here today, with links to some sites showing proportions/relationships of various parts of the human body. Maybe some videos showing how etc. Then I realized–all this stuff only shows you how one person draws the human figure, or shows some “shortcuts”, which is all well and good–who doesn’t like shortcuts (or is that shortcake)? So this is my advice to you, this is the tutorial for the day. Learn to draw the human figure by drawing the human figure. Find a figure drawing/life drawing session near you, and spend the few dollars a week it costs to take part. If you live near a big city there’s probably a Dr. Sketchy’s near you. If not, even small cities usually have an art club, or university/college that provides these opportunities. Otherwise, take a sketchbook wherever you go, and sketch people in bookstores, parks, wherever you happen to be sitting, and have a few minutes. If all else fails, draw from photo reference, it’s not optimal since photos distort proportions somewhat, but at least it’s a start.
In other words-draw, draw, draw. It’s the only way to get good at it.
Happy Tuesday folks.

How our meat is grown, and why it’s killing us.

Getting Real About the High Price of Cheap Food – TIME
Read this and be scared.

The U.S. agricultural industry can now produce unlimited quantities of meat and grains at remarkably cheap prices. But it does so at a high cost to the environment, animals and humans. Those hidden prices are the creeping erosion of our fertile farmland, cages for egg-laying chickens so packed that the birds can’t even raise their wings and the scary rise of antibiotic-resistant bacteria among farm animals. Add to the price tag the acceleration of global warming — our energy-intensive food system uses 19% of U.S. fossil fuels, more than any other sector of the economy.

And perhaps worst of all, our food is increasingly bad for us, even dangerous. A series of recalls involving contaminated foods this year — including an outbreak of salmonella from tainted peanuts that killed at least eight people and sickened 600 — has consumers rightly worried about the safety of their meals. A food system — from seed to 7?Eleven — that generates cheap, filling food at the literal expense of healthier produce is also a principal cause of America’s obesity epidemic. At a time when the nation is close to a civil war over health-care reform, obesity adds $147 billion a year to our doctor bills. “The way we farm now is destructive of the soil, the environment and us,” says Doug Gurian-Sherman, a senior scientist with the food and environment program at the Union of Concerned Scientists (UCS).

Then check out Food, Inc

and King Corn (if you have Netflix you can get it there)

Wacky Wednesday

Another Wednesday, more wackiness.
Museum of Broken Relationships
Weird woeful stories of broken relationships, like this one.


20 years
Ljubljana, Slovenia

The divorce day garden dwarf. He arrived in a new car. Arrogant, shallow and heartless. The dwarf was closing the gate that he had destroyed himself some time ago. At that moment it flew over to the windscreen of the new car, rebounded and landed on the asphalt surface. It was a long loop, drawing an arc of time – and this short long arc defined the end of love.

Technique Tuesday

Another Tuesday, some more technique.
The great John K. creator of Ren and Stimpyhas a series on composition for cartoonists and animators. Here is a page with links to each blog post. It’s a good series, and is useful for fine artists who paint realistically, and illustrators, as well as the people they’re aimed at.
Today I’m interested in one post in particular and his small rant on why todays animations are seriously lacking.

Here is an example of what happens so often in the crazy inefficient, wasteful animation production system we have today. There are so many steps in the animation production process, where about 5 different artists all work on the same scene and each one in succession has to draw the same pose that the previous artist drew, and each time the scene gets watered down, until the final scene is completely stiff and lifeless and has lots its original purpose and meaning…

There’s more. The post is about composing your poses together and having characters interact with each other.
He illustrates with examples from animations, and cartoons/comics

He could just as easily used some examples from the fine arts. Such as:

michelangelo-adam

or a couple from Rembrandt:
rembrandt

Rembrandt_van_Rijn_The_Feast_of_Belshazzar_c1635

See how every character reacts to the others? There’s more at the links above, including negative/positive space, etc.

Free art class–what more could you ask for?