So yesterday the Girlfriend (AKA my wife) took a day trip to Camden-Rockland, and stayed overnight at a B&B in Camden. See more about that here. Stopped at a yard sale, and I got these (they’re in rough shape, but will be fun to go through):
In Rockland we stopped at an antique store, and I got these:
That’s a 1930’s ink well(see Jenny’s post I linked to above for another pic) and a sterling silver pen nib holder (which works very nicely). Both nice additions to my collections.
You may love Ayn Rand or you may hate her, or you may be more or less indifferent, like me, but for anyone who doesn’t have his or her head up his or her butt, this is obviously one of the very best essays ever written about Marilyn Monroe.
Nobody ever had a more sordid childhood than Marilyn Monroe
To survive it and to preserve the kind of spirit she projected on the screen–the radiantly benevolent sense of life, which cannot be faked–was an almost inconceivable psychological achievement that required a heroism of the highest order. Whatever scars her past had left were insignificant by comparison.
”When I was 5, I think that’s when I started wanting to be an actress. I loved to play. I didn’t like the world around me because it was kind of grim, but I loved to play house and it was like you could make your own boundaries. It’s almost having certain kinds of secrets for yourself that you’ll let the whole world in on only for a moment, when you’re acting.
No one else could project the glowingly innocent sexuality of a being from some planet uncorrupted by guilt, who found herself regarded and ballyhooed as a vulgar symbol of obscenity, and who still had the courage to declare: “We are all born sexual creatures, thank God, but it’s a pity so many people despise and crush this natural gift.”
She preserved her vision of life through a nightmare struggle, fighting her way to the top. What broke her was the discovery, at the top, of as sordid an evil as the one she had left behind–worse, perhaps, because incomprehensible. She had expected to reach the sunlight; she found, instead, a limitless swamp of malice.
It was a malice of a very special kind. If you want to see her groping struggle to understand it, read the magnificent article in the August 17, 1962, issue of Life magazine. It is not actually an article, it is a verbatim transcript of her own words–and the most tragically revealing document published in many years. It is a cry for help, which came too late to be answered.
“When you’re famous, you kind of run into human nature in a raw kind of way,” she said. “It stirs up envy, fame does. People you run into feel that, well, who is she–who does she think she is, Marilyn Monroe? They feel fame gives them some kind of privilege to walk up to you and say anything to you, you know, of any kind of nature–and it won’t hurt your feelings–like it’s happening to your clothing. . . . I don’t understand why people aren’t a little more generous with each other. I don’t like to say this, but I’m afraid there is a lot of envy in this business.”
“Envy” is the only name she could find for the monstrous thing she faced, but it was much worse than envy: it was the profound hatred of life, of success and of all human values, felt by a certain kind of mediocrity–the kind who feels pleasure on hearing about a stranger’s misfortune. It was hatred of the good for being the good–hatred of ability, of beauty, of honesty, of earnestness, of achievement and, above all, of human joy.
She was an eager child, who was rebuked for her eagerness. ”Sometimes the [foster] families used to worry because I used to laugh so loud and so gay; I guess they felt it was hysterical.”
She was a spectacularly successful star, whose employers kept repeating: “Remember you’re not a star,” in a determined effort, apparently, not to let her discover her own importance.
And she was a brilliantly talented actress, who was told by the alleged authorities, by Hollywood, by the press, that she could not act.
but lonely is a freedom that breaths easy and weightless and lonely is healing if you make it.
—Tanya Davis
Been an exciting year.
I did 85 pages of a comic, drawing and lettering it. 44 pages of lettering for another comic.
I’ve been in 2 fine art shows this fall.
I’ve lost 55 lbs since the end of June, and am healthier than I’ve been in a long time.
I got a new position at work, and am not working nights anymore, which has been making it harder for me to do artwork.
Those are my personal bests for this year.
As for 2012.
I need to color the first comic mentioned above, and (hopefully) get started on the second story with those characters….
Work on some of my own comic stories.
More fine art.
Find another 24 hours in each day.
Keep on losing weight, and getting fit.
Find another 24 hours in each day.
Get into a few shows this year.
Work on the Bucksport Mural project.
and… Find another 24 hours in each day.
Happy New Year. May 2012 bring you all that you want, or need.
Do you know, or are you, an artist living in Bucksport, Orland, Verona, or Prospect? Here’s an opportunity for you.
Last night I attended a committee meeting for this project. It, to put it bluntly, wasn’t very well attended. There were 7 people there, and 4 of them were the people in town government who were working on getting the project together.
This is a project the town is undertaking (with matching funds from Camden National Bank) to replace the murals that were done for the town’s bicentennial, back in 1992. The murals were taken down several years ago, because the wall they were on needed repairs, and they were never put back yup, for various reasons. They’ve been stored in a town garage, and most are in very poor shape. Some can be restored if anyone is willing to do so, but others are pretty much beyond repair.
Bucksport is looking for 11 artists or groups of artists to make up to 11 new murals (or do some restoration work on the old ones).
There is going to be another meeting on January 10 at 6:30PM at the Bucksport Town Hall (Jan. 11 if the weather’s bad)to see if there’s more interest, and to let other interested people know what’s going on. There should be some posters, etc. showing up in various places around town (thanks to some volunteers), and there is a January 31, deadline for artist’s proposals.
The murals are going to be done on 2’x4′ canvases, and then digitally blown up to 4’x8′, and put on a vinyl backing, so that they may last better than the original ones, and then the original (new) paintings will be hung in various businesses around town. The theme is “Bucksport: Past, Present, and Future.” Also, the town is planning on renting a space for the artists to work, and the public to be able to come see the works in progress, as well as supplying materials.
For more info contact David Milan at 469-7368
Title: Carl Little Talk
Location: Belfast Library
Description: Carl little is giving a talk at Belfast Library Oct 4 at 6:30PM.
Little will explore the rich relationship between poetry and art through the work of Brueghel, Klimt, Hopper, Auden and others. He will feature several of his own poems tied to artworks, including a selection from his collaboration with painter David Estey from the 2009 Belfast Poetry Festival.
Little is the author of several books of poems, and the art history, and writes for various periodicals, including Art NewEngland.
Start Time: 6:30
Date: 2011-10-04
If you haven’t seen today’s Google homepage, this is the logo animation they are using to celebrate Martha Graham’s 117 birth anniversary.
My outfit:
Early spring my ass.
