http://www.youtube.com/watch?v=iZwuX5mCs9Q&fmt=18
Category Archives: Art
Advice for Emerging Artists
From Art Review – ‘How Soon Is Now?’ Exhibition at the Bronx Museum of the Arts – Review – NYTimes.com by Roberta Smith
“How Soon Is Now?” suggests that there is no point in spending time on “professional development” or learning how to advance one’s work in the marketplace if artistic development is not well under way. That requires lots of long, hard looking at all kinds of art, in all mediums, from all periods and cultures. Aspiring artists need to expose themselves to the sheer intensity and variety of art, to learn what they love, what they hate and if they are actually artists at all. New York’s galleries and especially its great museums offer ample opportunity for this kind of self-education, which leads to self-knowledge. Anything is possible when artists set to work knowing they have something they urgently need to say, in a way it hasn’t quite been said before
John Cage’s “Rules for Students and Teachers”
1. Find a place you trust, and then try trusting it for awhile.
2. General duties of a student–pull everything out of your teacher; pull everything out of your fellow students.
3. General duties of a teacher–pull everything out of your students.
4. Consider everything an experiment.
5. Be self-disciplined–this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.
6. Nothing is a mistake. There’s no win and no fail, there’s only make.
7. The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.
8. Don’t try to create and analyze at the same time. They’re different processes.
9. Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.
10. Break rules. Even your own rules. Leave plenty of room for X quantities.
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Chuck Close: Self Portrait/Scribble/Etching Portfolio, 2000
I went to see This show at Colby College yesterday. Really nice show, nominally based around the etching of the title, whch you can see the whole process here.
Description of the show from the Colby site (since I don’t know how long it’ll stay there)
Chuck Close has been making self-portraits since the late 1960s. These efforts are invariably based on photographs that he makes of himself and famously translates into paintings, drawings, prints, and other media—typically a methodical, labor-intensive process. His investment in such processes forms the subject of his Self-Portrait/Scribble/Etching Portfolio, 2000, a set of twenty-five prints that illustrates the steps required to produce a single, twelve-color etching. It is also the focus of this exhibition, which uses that portfolio as a lens through which to examine the intersections and parallels that structure Close’s artistic ideas. Accompanied by a full-color catalogue featuring a new interview with the artist. Organized in conjunction with the Picker Art Gallery, Colgate University and The Mead Art Museum, Amherst College
It closes at Colby in a couple of weeks,, and I’m not sure if it’s headed anywhere else (it looks like Colby was the last stop on the tour).
This tapestry was also in the show, and is from Colby’s permanent collection:
This is also the 2nd thing on my 101 in 1001 I get to cross off. Yippee!
So…
..when are the kids going to start doing this, so that they will turn gray/blue?
Facts About Argyria, the Gray Skin Condition Rosemary Jacobs Blames on Colloidal Silver
It was in the news(on TV)elsewhere recently, also. It’s only a matter of time.
Here’s more, with pictures.
Grey People
Something I did while out on ship:
Just Do It!
Found this pic out there, and liked it. I may resurrect it for Buy Nothing Day (it is a graff for last years event).
Be a maker, not a consumer.
Paint the Town 2008
I participated in the Paint the Town event in Rockland, for the Farnsworth Museum today.
This year I actually got a picture of my painting (I did not do that last year, and now, sadly, have no record of those painting, since they went at the auction.)(I found them here.) My painting sold this year, too. Here it is:
Paris Through the Window
That’s the name of a Marc Chagall painting from 1913, which I got a print of today, by happy happenstance–they were throwing it away at my wife’s work.
It’s done in primary colors, and browns, and white, and is typical of this period of Chagall’s. The view through the window, and the Eiffel tower in the background are symbols for freedom or rising. I’m loving it, and it’s going in my new studio. (Yes, I’m finally moving out of the attic.)
This is from the Guggenheim website:
After Marc Chagall moved to Paris from Russia in 1910, his paintings quickly came to reflect the latest avant-garde styles. In Paris Through the Window, Chagall’s debt to the Orphic Cubism [more] of his colleague Robert Delaunay is clear in the semitransparent overlapping planes of vivid color in the sky above the city. The Eiffel Tower, which appears in the cityscape, was also a frequent subject in Delaunay’s work. For both artists it served as a metaphor for Paris and perhaps modernity itself. Chagall’s parachutist might also refer to contemporary experience, since the first successful jump occurred in 1912. Other motifs suggest the artist’s native Vitebsk. This painting is an enlarged version of a window view in a self-portrait painted one year earlier, in which the artist contrasted his birthplace with Paris. The Janus figure in Paris Through the Window has been read as the artist looking at once westward to his new home in France and eastward to Russia. Chagall, however, refused literal interpretations of his paintings, and it is perhaps best to think of them as lyrical evocations, similar to the allusive plastic poetry of the artist’s friends Blaise Cendrars (who named this canvas) and Guillaume Apollinaire.