“The Maratus spiders of Australia are the most colourful, flamboyant, sexy, and charming spiders on the planet,” says Maria Fernanda Cardoso, whose vibrant portraits capture the tiny creatures in remarkable detail. Kicking off a tour throughout Australia, the photographer’s exhibition Spiders of Paradise, organized in collaboration with the Museum of Contemporary Art Australia, highlights the arachnids’ incredible diversity.Maratus are commonly referred to as “peacock spiders” due to the males’ brilliant displays during courtship rituals—and in some cases, combat. When a male woos a partner, he raises his legs, displays a brightly patterned abdomen, and dances as if there’s no tomorrow—literally. If he isn’t successful and allowed to mate, the female may eat him instead.The genus Maratus consists of more than 100 unique species, and averaging only about three to five millimeters in size, the minuscule jumpers are smaller than a grain of rice. “To me, their use of colour, gesture, sound, and movement makes them sophisticated and performing artists,” Cardoso says.
Michael Moorcock is a highly influential English writer. His career has mostly specialised in fantasy and sci-fi, and whilst some of his novels have been highly literary, he was a firm exponent of sword-and-sorcery, particularly in the sixties and seventies.
He has often commented on the craft of writing, but one of his most unique and interesting techniques is his plan for writing a book in three days. He was talking about sword-and-sorcery at the time, the fantasy inheritor of pulp fiction, and the books in question were typically 60,000 words, but even so, there’s a lot to be said for his methods. Despite the general medium, the power of his work has been huge, and his best-known character, Elric, is one of fantasy’s great standouts.
Chances are you have already heard something about who anarchists are and what they are supposed to believe. Chances are almost everything you have heard is nonsense. Many people seem to think that anarchists are proponents of violence, chaos, and destruction, that they are against all forms of order and organization, or that they are crazed nihilists who just want to blow everything up. In reality, nothing could be further from the truth. Anarchists are simply people who believe human beings are capable of behaving in a reasonable fashion without having to be forced to. It is really a very simple notion. But it’s one that the rich and powerful have always found extremely dangerous.
At their very simplest, anarchist beliefs turn on to two elementary assumptions. The first is that human beings are, under ordinary circumstances, about as reasonable and decent as they are allowed to be, and can organize themselves and their communities without needing to be told how. The second is that power corrupts. Most of all, anarchism is just a matter of having the courage to take the simple principles of common decency that we all live by, and to follow them through to their logical conclusions. Odd though this may seem, in most important ways you are probably already an anarchist — you just don’t realize it.
Let’s start by taking a few examples from everyday life.
I think that’s it for today. I’ve been puttering along in the studio, doing some commissions for the wife, and laying out more pages in the comic. I’ve been working on the script and have made some progress on it finally, thanks to Mason Curry’s “Worm School” and it’s morning Zoom meetings.
Bob Black is an American social philosopher known for his work on anarchism. The author of various books and numerous political essays, he specializes in the sociology and ethnography of law. He is a graduate of the University of Michigan and Georgetown Law School. He is most widely known for his 1985 essay «The Abolition of Work,» which has been widely disseminated in at least 13 languages. His most recent publication, «Instead of Work,» includes a compendium of his writings and an update on his 1985 essay.
This article is a continuation of that work, and i found it to be an interesting read of some of the potential things that could , and have happened since Corona. (Link to full article at bottom.)
The general tendency will be toward local autonomy amidst regional diversity. Local neighborhoods and settlements will not be fortified, gated communities with delusions of sovereignty. Regions, cultural regions, will often focus on bioregions, with permeable boundaries. [51] Diversity will flourish locally, regionally, and internationally. We will be better off by exploring the possibilities of what is closer. Big cities have brought us together physically, but separated us socially. Big workplaces have done the same thing. Mass society has given rise to «the lonely crowd»: [52] people being alone together. Paradoxically, social distancing might complement bringing people together emotionally, in a shared way of life that is more sociable than mass society.Is it contrived for me to promote this agenda as a response to the COVID-19 crisis? Of course, I do not think so. The virus is a challenge to other ideologies too, and maybe to all ideologies. Health issues, especially public health issues, are often not just health issues. Contagious disease is clearly not just a private concern for individuals and their physicians. It is a social issue. Even the physicians know that. And they know that diet, rest, safety, anxiety, insecurity, and even sociability strongly influence physical and mental health. How we live has a lot to do with how long we live, and with how well we live. Fatigue, stress, boredom, and even a touch of fear, which are often inflicted by work – they really are hazardous to your health! They adversely affect the immune system. And they just do not feel good. Maybe happiness is healthy. And maybe freedom is healthy.
Expressions of grief come in many forms. Here’s one.
The artist’s new paintings at Gagosian show her working through the loss of her husband, the artist Brice Marden, in a hot palette, feathers and shells.
We often associate objects with memories—a stuffed bear reminds us of childhood playtime or a family heirloom of a beloved ancestor—but for Robert Strati, certain items also contain narratives of their own accord. The artist (previously) draws elaborate scenes that appear to burst from shattered porcelain plates as part of his Fragmented series. Perfectly matching ink to the design on the dinnerware, Strati expands the story within the vessel to the paper below, rendering large-scale, monochromatic scenes that seem to emanate from the original composition.
View our current exhibits here at Moss Galleries! We have rotating exhibits of internationally and nationally known artists, all representing Maine’s art culture!
