All posts by keith

Art Seen Asheville

is a quirky art program–artist interviews, how-tos, process, studio walks, etc.–on Asheville, N.C.’s URTV public access station. Community TV if you will.
It’s hosted, and produced, by Ursula Gullow, and can be found on Google Video, also.
I particularly liked episode 007, episode 005, and the show on Gabriel Shaffer (an outsider artist).

Alfred Stieglitz suggested

Crotch Island, Maine, The Cove–Watercolor
–when John Marin’s father suggested that the younger Marin “do salable etchings in the mornings, and his crazy watercolors in the afternoons”–” that [he] ask his new wife whether a woman could be a prostitute in the morning and a virgin in the afternoon”, which Stieglitz felt was equivalent to what Marin was asking his son to do.
That is from the sidebar of the dead tree version of this article on John Marin.
The sidebar contains a lot of good stuff, and I wish they’d put that up on the site, also.

Keep on Trucking

truckin’ Working in the studio this afternoon, (Yeah, I do actually make art.) I had a small epiphany. Something I hadn’t really thought about before this. I was starting a new painting on a canvas panel, doing some preliminary drawing, roughing some stuff out, and when I set it down to do something else, I was reminded of the first painting I tried making, back when I was 15 or 16. The only similarity here being the canvas panels, the subject matter is not similar, and this panel is bigger.

Those aren’t the only differences. I never finished that first one so many years ago, I gave up on it. I put some colors down, and made a science-fictional space scene, but the colors weren’t right, and I didn’t know how to mix color back then, or about underpainting, or anything really, and that was the end of that painting.

Since then, I’ve learned about color theory, underpainting, scumbling, and how to start, and (more important) how to finish a painting/piece of art, and not to give up until it’s done, or until I know it’s unsalvageably bad, at which point, I’ll start over.

I will go on and finish this painting, it may change in many ways before I’m done, but it will be done. Then I’ll go on to the next one, and then the next, and so on. And that is what it is, and what it takes, to be an artist, whether you sell your work or not, is to keep going on to the next one. It’s not about the one you’ve finished, but about the one still inside, the one yet to come.

Robert Williams

The founder of Juxtapoz magazine, Robt. Williams is one of the most popular artists in America today.

He’s in the collections of Nicolas Cage, Leonardo diCaprio, Johnny Depp, Jesse James & many other celebrities.
Here’s an interview of him on youtube:
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The Artist Studio: Chuck Close on Google Video

A profile of one of my favorite modern painters Chuck Close.

Arne Glimcher presents a series on great living artists. Following the artist into his studio, Arne Glimcher, presents a relaxed and informal portrait of Chuck Close, his work and methods. From his studio space, to the hanging and unveiling of an exhibition the film shows the artist at work and in conversation, discussing the people, places and artists that have influenced and inspired his work, his inspiration in nature, in the art of past civilizations and the work of artists still producing today. Arne Glimcher is one of the foremost gallerists and contemporary art dealers in the world