The power of a painting has to come from the inside out, not the outside in. It’s not just an image; it’s an image with a body, and that body has to contain its spirit. A painting, really, is made by its reason for being there. What’s behind it decides everything, It’s not just a question of attractiveness or correctness; it can’t be fixed afterwards or by additions. How it starts will define how it ends. So it’s the weight of the intention that defines everything.