Directed by Mai Vu (10′ – 2022) Produced by The National Film & Television School Lights on Women Award – Cannes Film Festival 2022 A Vietnamese…
Source: Spring Roll Dream on Vimeo
Directed by Mai Vu (10′ – 2022) Produced by The National Film & Television School Lights on Women Award – Cannes Film Festival 2022 A Vietnamese…
Source: Spring Roll Dream on Vimeo
Pop art iconography, nature, Japanese imagery, and ancient symbols merge in Yu Maeda’s vibrant ceramic sculptures.
Source: Fantastical Totems Emerge from Clay in Yu Maeda’s Vibrant Sculptures — Colossal
Many ancient cultures used musical instruments in ritual ceremonies. Ancient Aztec communities from the pre-Columbian period of Mesoamerica had a rich mythological codex that was also part of their ritual and sacrificial ceremonies. These ceremonies included visual and sonic iconographic elements of mythological deities of the Aztec underworld, which may also be symbolized in the Aztec death whistle. Their skull-shaped body may represent Mictlantecuhtli, the Aztec Lord of the Underworld, and the iconic screaming sound may have prepared human sacrifices for their mythological descent into Mictlan, the Aztec underworld.
Aztec death whistles have a unique instrumental construction
To understand the physical mechanisms behind the whistle’s shrill and screeching sound, a team of researchers at the University of Zurich led by Sascha Frühholz, Professor of Cognitive and Affective Neuroscience, created 3D digital reconstructions of original Aztec death whistles from the Ethnological Museum in Berlin. The models revealed a unique internal construction of two opposing sound chambers that create physical air turbulence as the source of the screeching sound. “The whistles have a very unique construction, and we don’t know of any comparable musical instrument from other pre-Columbian cultures or from other historical and contemporary contexts,” says Frühholz.
Death whistles very, very frightening
The research team also obtained sound recordings of original Aztec death whistles as well as from handmade replicas. Listeners rated these sounds as extremely chilling and frightening. The Aztec death whistle seems to acoustically and affectively mimic other deterring sounds. Most interestingly, human listeners perceived the sound of the Aztec death whistle to be partly of natural and organic origin, like a human voice or scream. “This is consistent ith the tradition of many ancient cultures to capture natural sounds in musical instruments, and could explain the ritual dimension of the death whistle sound for mimicking mythological entities,” explains Frühholz.
Affective response and symbolic association
The Aztec death whistle sounds were also played to human listeners while their brains were being recorded. Brain regions belonging to the affective neural system responded strongly to the sound, again confirming its daunting nature. But the team also observed brain activity in regions that associate sounds with symbolic meaning. This suggests a “hybrid” nature of these death whistle sounds, combining a basic psychoaffective influence on listeners with more elaborate mental processes of sound symbolism, signifying the iconographic nature.
Connecting modern humans with Aztec audiences
Music has always had strong emotional impact on human listeners in both contemporary and ancient cultures, hence its use in ritual religious and mythological contexts. Aztec communities may have specifically capitalized on the frightening and symbolic nature of the death whistle sound to influence the audience in their ritual procedures, based on the knowledge of how the sound affects modern humans. “Unfortunately, we could not perform our psychological and neuroscientific experiments with humans from ancient Aztec cultures. But the basic mechanisms of affective response to scary sounds are common to humans from all historical contexts,” says Frühholz.
Acoustic sound samples: https://caneuro.github.io/blog/2024/study-skullwhistle/
Literature
Frühholz S, Rodriguez P, Bonard M, Steiner F, Bobin M (2024), Psychoacoustic and archeoacoustic nature of ancient Aztec skull whistles. Communications Psychology. 11 November 2024. DOI: https://doi.org/10.1038/s44271-024-00157-7
I actually have four of these.
Source: Death Whistle | | UZH
Here’s the sounds they make:
Isle, Fantasia, Rot Bar
You know, there are three kinds of people in this world: people who make things happen, people who wait for things to happen and people who wonder what the hell happened
Source: On Dieter Roth – by Ross Simonini – A Lie Before Its Time
San Francisco was turning into a jungle–more and more people living in cars, more and more mobs roaming the streets, more and more dangers in day-to-day living.
Rheinhardt was a sculptor who did the best he could in San Francisco… until they drafted his best friend to fight in South America… until his artist’s colony turned into a home for spoiled no-talents… until his girlfriend began to ask him where he was going… until he felt like he couldn’t stand it any more.
Justinian was a mystery man, a Vietnam vet who stalked Rheinhardt quietly, waiting for the right moment. Waiting to take him to Subterranean Gallery.
“Subterranean Gallery is a day-after-tomorrow SF novel with an authentically funky lived-in quality that immediately convinces the reader that its characters and settings are real, that the urban future of the United States is likely to be very much the way Russo imagines it, and that people of compassion and creativity may still find it in themselves to bring forth from oppression and desolation a revivifying hope. Reading Subterranean Gallery is an engrossing, gut-wrenching experience–but ultimately and uplifting one as well.” -Michael Bishop, author of The Secret Ascension
Source: Subterranean Gallery: Russo, Richard Paul: 9780812552591: Amazon.com: Books
Well, its been a week hasn’t it? I wasn’t very happy with the election results, like many of you out there. I’m not a big fan of the orange man (someone called him a yam which I think is funny and somewhat appropriate)and voted for Harris.
Not a big fan of her either, but I wanted the Dems to stay in power because a lot of their agenda aligns with mine (climate, unions, anti-monopolist). That isn’t happening, and it’s time to dig in and do it ourselves, which is pretty much par for the course.
I don’t really expect the government (on either “side”) to do much for us, since both Reps and Dems are in bed with the global elites/big business. Although Biden was definitely making waves in monopoly busting.
So what do we do now? How do we address climate change, union busters, genocide in Gaza, monopolies, etc.?
We need to organize. That means unions need to step up. If your workplace isn’t a union shop, organize one. There are unions for everyone. If you can’t find one join the IWW (wobblies). They are a worldwide grassrootsunion, with a long history, that can help you organize your workplace (even us self employed workers–I belong).
Josh Hill has a nice post about this with several resources at the end. Here (Time to Prepare)
Worried about book bans? Join your school board, and/or the board of your local library. Give to your local library. Also, here’s an organization that organizes country wide. https://www.librariesforthepeople.org/
Climate change is a monster. What do we do about that? Solar and wind power are getting cheaper. Put some solar on your roof, add a windmill somewhere on your property. Buy an EV, car or bike. Bikes are great in cities and small towns. Battery life on vehicles is getting better all the time, and prices are actually coming down. Start a garden, or just grow a few plants if all you have is a patio to grow on. Buy local at farmers markets. Better food, and shorter distances for it to get to you. Invest in a heat pump, electric appliances. You can still grill, don’t be a jackass.
Make sure your utilities are investing in and using alternate sources of energy. Join organizations that are trying to mitigate climate change. Boycott and protest big oil, join, or donate to organizations that do that.
Here’s one https://regeneration.org/
Don’t like the wars we’re involved in join a peace organization. Preferably local. Protest, make sure the politicians know.
Don’t like abortion laws, write your reps, join, or donate to, Planned Parenthood
There is so much more to do. What’s important to you? Find organizations that work on that problem. No organization, build one. Do what you can to the best of your ability.
Make art, write, help a senior.
Speaking of which. Write letters to seniors or others that can’t get out and about. Here’s a couple of sites that ate specifically for that:
https://www.lettersagainstisolation.com
https://loveforourelders.org/letters
Feed people. Join a food bank, volunteer in a soup kitchen, find a chapter of Food not Bombs near you.
Find something you can do. The government isn’t going to help.
It never was.
Around 1800, London-based published Samuel William Fores continued the playful tradition of composite portraiture in a series of aquatints.
Source: Arcimboldo-esque Portraits Emerge from Tools of the Trade in Early 19th-Century Aquatints — Colossal
John Craxton would see the animal mid-action and think, that’s another picture. On the occasion of National Cat Day, here are some of his most fantastic felines.
Barcelona-based artist David Moreno constructs towering houses and cascading villages that reflect the architecture of our lives.
Source: David Moreno’s Anthropomorphic Foundations Support Cascading Villages — Colossal
The longer I sat with the artworks in David Reed’s studio, the more I felt that I wasn’t fully seeing what was there.
Source: Can We Really See Art?
I always like John Yau’s take on art. I have several of his books and always read his post on Hyperalergic.